This tutorial introduces you to a new effect, called Turbulent Displace which has been around for a while and is a nice little distortion effect....

• Create 3D interface display as seen in Iron Man's helmet • Build self-animating components and artificial lighting...

• Composite 3D render and 2D elements in After Effects • Add grunge and Smokes to final composite in 3D space...

• Create a realistic vehicle collision with body damage • Discover Keying tips, the puppet tool and much more...

Creating a 3D Door in After Effects : PART 1...

Creating a 3D door in After Effects, Part 2...

From www.studiodaily.com Animate 2D Camera Moves in After Effects...

Ali Noori shows you how to create a box with depth in After Effects without 3rd party plug-ins, using 3D layers, lights and cameras. (Video tutorial)...

In this episode special guest Steve Whatley from Adobe Systems, Inc. shows us just how easy it is to do 3D in After Effects CS3....

There comes a time in visual effects artists life when he’s bound to create firing guns and muzzle flashes. Learn how to build your own muzzles… in 3D....

From www.studiodaily.com Create 3D Synchronized Swimming In Adobe After Effects...

A Designer's Guide to Transparency for Print Output by Adobe...

a video about Using Shapes as Particles...

From www.studiodaily.com. A tutorial designed to help you build a Torch With Tinderbox 4 for After effects....

From www.studiodaily.com. Green screen talent is often lit very flat, which makes it difficult to properly blend the talent in the background plate. One handy tool for dealing with this is the CC Light Sweep, a former Cycore plug-in that now comes standard in After Effects....

Part 1 of 5: Broadcast designers Seth Gordon and Luis Lopez demonstrate professional techniques for designing an engaging title sequence in After Effects 7. Starting with animating fonts for the middle-ground element, Seth and Luis create a unique effect by blurring the foreground element using a copy of same comp with different timing....

Part 2 of 5: After creating a title sequence, expert instructors Seth Gordan and Luis Lopez render out their composition then demonstrate how they time out the title sequence for their bumper....

Part 3 of 5: In this excerpt from the DMTS training, Broadcast Animators Seth Gordon and Luis Lopez create a rich background using foreground and background elements. By professionally manipulating text layers and animating a Photoshop file, Seth and Luis demonstrate an easy way to create depth in their title sequence....

Part 4 of 5: In this excerpt from the DMTS training, Broadcast Animators Seth Gordon and Luis Lopez demonstrate how to customize a preset gradient to add a colorful texture to their television bumper, then demonstrate some professional workflow techniques....