"Whale Song" for Modest Mouse from Nando Costa on Vimeo.
Nando Costa Reel 2010 from Nando Costa on Vimeo.
Labels: 2D, 3D, Bizarre, Demo Reel, Film Short, Stop Motion
Toolfarm Network: AE Freemart | Final Cut Studio Planet | Pond5
Rebecca Scritchfield at
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Modest Mouse "Whale Song" by Nando Costa
Vincent- an Early Stop-Motion by Tim Burton
"The Seed" by Johnny Kelly
Moby: "Mistake" Interview at Wired.com
Electric Car- They Might Be Giants
Fantastic Mr. Fox Trailer
SOUR - Hibi no neiro (Everyday Sounds) and Omokage no saki (Beyond your memory)
Ranger 3 - Sense of Direction
Fleet Foxes: Mykonos
Deadline - Senior Project from Savanah College of Art and Design
IKEA - An Ocean of Possibilities
A Conversation with Garcia Freundt
"Sorry I'm Late" Stop Motion Animation
In Case Of Fire - Enemies
How to Make a Baby
Her Morning Elegance - Oren Lavie
Western Spaghetti
Bowerbirds - In Our Talons
Flashback Friday: Clash of the Titans (1981)
L'homme 100 têtes - 3ème prix Panasonic'Art 2008
StartCooking.com Videos
Blu: MUTO- a wall-painted animation
Ballet: SNAP!
Pjotr Sapegin - Aria
Liam Finn - Second Chance and Gather to the Chapel
Madonna Barbie Animation by Rowena True
The One AM Radio - A Brittle Filament
Stab the Matador - Low Rider & Doctor
She is the New Thing - The Horrors
The Adventures of Mark Twain (1985)
The Insect's Christmas
MTN: Stickies
Process Enacted by Jordan C Greenhalgh
Múm - They Made Frogs Smoke 'Til They Exploded
Punk da Junk: A Journey of Epic Nutrition
Country Trouble by Axel and Ellen
Stash, the Monthly DVD
CSS - Alcohol (Plus Director Interview)
They Might Be Giants - With the Dark
Polyphonic Spree - Running Away
Architecture in Helsinki - Fumble (Unofficial)
Uncut - Darkhorse
Slow Hand Motem - Fake Spirit Egg
Digitalism - Pogo
Fujiya & Miyagi - Ankle Injuries
Circle Circle Dot Dot - Jamie Kennedy and Stu Stone
The Maccabees - Precious Time
Guster - One Man Wrecking Machine
Floris: Metalosis Maligna by Microbia
Sneaux - Human Skateboard
The Knife - Marble House
Contribute to Toolfarm Inspirations
Thése Sur la Typographie by Julien Vallée
Heck No! (I'll Never Listen To Techno)
Mort - Student Animation
Zion I "So Tall"
Hadouken! - That Boy That Girl Promo Video
Hotwheels
HunterGatherer - AMP
Tony vs. Paul
Grocery Store Wars
Richard Coldicott - I woz ere
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"Whale Song" for Modest Mouse from Nando Costa on Vimeo.
Nando Costa Reel 2010 from Nando Costa on Vimeo.
Labels: 2D, 3D, Bizarre, Demo Reel, Film Short, Stop Motion
Posted by Alicia VanHeulen
Labels: Bizarre, Character Animation, Experimental, Film Short, Retro, Stop Motion, Tim Burton
Posted by Alicia VanHeulen
The Seed from Johnny Kelly on Vimeo.
Making of 'The Seed' from Johnny Kelly on Vimeo.
Labels: 2D, 3D, Bizarre, Character Animation, Experimental, Film Short, Music Video, Retro, Stop Motion
Posted by Alicia VanHeulen
Labels: 2D, 3D, Bizarre, Character Animation, Experimental, Film Short, Music Video, Stop Motion
Posted by Alicia VanHeulen
Labels: 2D, 3D, Bizarre, Experimental, Film Short, Music Video, Stop Motion
Posted by Alicia VanHeulen
Labels: Movie Trailer, Stop Motion
Posted by Michele Yamazaki
Labels: Music Video, Stop Motion
Posted by Michele Yamazaki
Ranger 3 - Sense of Direction from Eric Power on Vimeo.
Labels: Music Video, Stop Motion
Posted by Michele Yamazaki
Labels: 2D, Experimental, Film Short, Music Video, Retro, Stop Motion
Posted by Alicia VanHeulen
Labels: Stop Motion, Student Work
Posted by Michele Yamazaki
Ikea Stop Motion Commercial-Bedrooms-"An Ocean of Possibilities" from Tomer Bahat on Vimeo.
Labels: Commercial, Stop Motion
Posted by Michele Yamazaki

TF: You did an amazing stop motion video for your band Modernage for the song Creatures. Do you have a background in photography and video?
GF: I've been working on tv and film for about 12 years. I've never been into photography, just took a couple of classes in college, but I'm thinking of buying a still camera but mainly to work more on stop motion.
TF: Have you done much stop motion work? This looks like a huge undertaking.

GF: This is my second project with stop motion. I've always liked stop motion because it is a unique medium. I fell in love with the textures of the environment and the not-so-perfect movements. My opportunity to explore this medium for the first time was last year, when I was asked to develop some Halloween IDs for a TV cable network. I instantly knew that it would be a great opportunity to create a bizarre world... the short length of the pieces - 10 to 12 seconds - was perfect for a first timer using this technique.
Another reason I like stop motion is the fact that you don't have to work with a lot of people. It's kinda like sculpting and painting, it's very different that normal filmmaking. Roberto Vasconcelos, a great DP I love to work with, worked with me on all the shots with the yellow background, but that's the only person I had to work with.

TF: One shot in the beginning that grabbed me was the change of focus from the rocker to the marble. There's a lot narrow depth of field shifts thought the video, actually. Was that type of effect something you pulled off in camera or in post?
GF: That change of focus was done just with the camera. I was using an HVX200. For the stop motion, I just used the feature in which the camera takes only 2 frames each time you press the record button. In that rack focus I was rolling at 24fpsand with one hand out of the frame I was moving the rocking chair and with the other one I was turning the focus wheel. In general, I've always loved a narrow depth of field and using mainly close-ups to tell stories, and it's easier to get a narrow depth of field when using tight close ups.. so it just works for me.
TF:I'm guessing you took large images and did your pans and zooms in a program like After Effects. Can you talk a bit about your post production process?
GF: Almost all the pans and zooms were done with the camera rolling at 24fps. I tried to stay away from moving the puppets while doing camera moves...maybe for the next project.
TF: What type of plug-ins do you like to use? For the film effect for example, did you use a plugin on that or use some other method to achieve the old film look?
GF: For the film look I just put a vignette (to give it a more fairy tale look) and just added some grain to reduce the sharpness of the video.
MY: Nice particles too!It looks like you shot a portion of it over greenscreen too. You really have a lot of different techniques in a single video!
GF: The only 3 sequences with post effects where done with Motion; the first one is the ball going up and turning into a "planet". The second was the pink puppet going up to the planet (the puppet was on a green screen). The last one was a composite the grey puppet looking at the pink one who is in the planet. The star field is a Motion particle.

TF: I love Motion particles. They're so easy to use and so fast. I'll admit, I've only done stop motion work once and it was in college. It didn't turn out too well. I know stop motion can be tedious work... everything must be so precise. Do you have any methods that you use to time things out?
GF: It really didn't take me a lot of time to do the filming, maybe 20 to 25 hours. The post didn't take me that much either, just working on the three composites I described earlier. With stop motion you don't do much editing, because you don't do any coverage - its very time consuming; you just plan every scene and know in you head how it's going to cut. However, the pre-production part was the longest one but to me the most fun - it took me 5 months, working whenever I had a chance; this involved designing and sewing the puppets and building and painting the set. I guess I didn't want it to end because I love doing stuff with my hands.
TF: So, the dolls... did you put wires inside to get them to pose or did you have another technique?
Yes, I used wires. Now I'm actually learning how to make proper dolls with armatures. The dolls I made were very rudimentary, and I had a lot of problems making them stand right or to have controlled movements...it was a bit of a nightmare, but a learning experience.

TF: How long did it take to make the video? Did you learn any good tricks?
GF: Over a period of seven months, working on it whenever I felt like it. If I had worked on it not taking breaks, maybe 20 days for pre-pro, 6 days for filming and 5 days for post. I started working on it long before the song was recorded. For me, like everything I do, it is just a stepping stone: don't make the same mistakes and build on the good things. I learn by doing.
TF: The opening scene reminds me of something by The Brothers Quay? Do you have any influences in your work? That moving potato is very creepy! The "eyes" look like tentacles.
GF: Yes, among my favorites are the Quay Brothers, Henry Selick and the works of czech animators like Jirí Trnka and Jan Svankmajer. I included the potato cause I always like the "eyes" that grow on them. It gives the potato character...

TF: What do you do in the band?
GF: Keyboards, guitars...and the videos.
TF: When you do a video like this for your band, does everyone have input or do you just do what you envision?
GF: I enjoy doing videos for Modernage mainly because I love the music. I love Mario's lyrics because he has a great sense of storytelling. When I heard the track I felt that it would be good for stop motion. I do most of my creative thinking in bed, right before going to sleep, when my mind is in that weird half-sleep state. I developed the main story line in my head and on the next band rehearsal I showed Mario, the singer, the IDs I had done using this technique, to see his reaction and propose to do a stop motion video for "Creatures", since he was the one who wrote the song. After I showed him the IDs, before I proposed anything, he said: "that's exactly what we should do with Creatures!".. and with that I started working on it.

TF: Have you done other videos as well?
Creatures" is the fourth video I've done for Modernage. I've also done one for a band called "Santos Renuentes" and another one for "Union Cell".
The other 3 Modernage videos are here if you wanna take a look:
TF: Thanks so much for the interview. Best of luck with your music and music video careers! I really love your video work. You have a lot of variety in your style and you're so talented in both fields.
GF: Thanks again!
Labels: Interview, Music Video, Stop Motion
Posted by Michele Yamazaki
Labels: 2D, Experimental, Film Short, Stop Motion
Posted by Alicia VanHeulen
Labels: Music Video, Stop Motion
Posted by Michele Yamazaki
Labels: Experimental, Stop Motion
Posted by Michele Yamazaki
Labels: Music Video, Stop Motion
Posted by Michele Yamazaki
Labels: Stop Motion
Posted by Michele Yamazaki
Check out this gorgeous stop motion video from Bowerbirds, In Our Talons, directed by Alan Poon. The last 5 seconds are amazing. This is seriously one of the coolest videos I've seen in a long time.Labels: Music Video, Stop Motion
Posted by Michele Yamazaki
Labels: Flashback Friday, Stop Motion
Posted by Michele Yamazaki
For the contest "Transformation : Live-React", Julien Lassort and Matthieu Burlot explored the human face, the most exposed and personal part of the human body. Their dynamic portrayal of "1000 and one faces" is a mosaic of portraits and emotions that plays off of the power of faces seen close up. Julien Fargo composed the melody that encapsulates the film.
Labels: Stop Motion
Posted by Michele Yamazaki
I absolutely love to make gourmet food and am a pretty experienced cook but this site called StartCooking.com, geared toward beginners in the kitchen, really caught my attention. It has cool videos that show you how to prepare food - all done very stylishly in stop motion.Labels: Stop Motion
Posted by Michele Yamazaki
Labels: 2D, Experimental, Stop Motion, Website
Posted by Alicia VanHeulen
Posted by Michele Yamazaki
Thanks Thom Birks for the link!
Labels: Stop Motion
Posted by Michele Yamazaki
Labels: Music Video, Stop Motion
Posted by Michele Yamazaki
Labels: Bizarre, Stop Motion
Posted by Michele Yamazaki
Labels: Music Video, Stop Motion
Posted by Michele Yamazaki
Labels: Music Video, Stop Motion
Posted by Michele Yamazaki
Labels: Music Video, Stop Motion
Posted by Michele Yamazaki
Labels: Bizarre, Stop Motion
Posted by Michele Yamazaki
Labels: Film Short, Stop Motion
Posted by Michele Yamazaki
Labels: Commercial, Stop Motion
Posted by Michele Yamazaki
Posted by Michele Yamazaki
Labels: Music Video, Stop Motion
Posted by Michele Yamazaki
Winner of Best of Show and Best 72 hour shootout at BendFilm's Future Filmaker's Festival.
This video took 31 hours to make: 20.5 to film and 10.5 to edit.
Labels: Stop Motion, Student Work
Posted by Michele Yamazaki
Axel Rossler and his girlfriend, Ellen, are really into country music and they're both from Frankfurt, Germany... not exactly the hotbed of country music that one might think of... maybe Frankfort, Kentucky! When I think of music in Germany (okay, I know I'm totally dating myself here), I think of the Scorpions' power ballad Wind of Change or Madchen by Lucilectric, which was sooo popular when I was in Dusseldorf in 1992. Or, worse, David Hasselhoff! Ahhh, what do I know about music in Germany... not much at all, obviously. I'm so sad.Labels: 2D, 3D, Stop Motion
Posted by Michele Yamazaki
Stash Media Stash 33 trailer came out earlier this month. Man, this is some seriously cool work. I'm too lazy to re-write the description: Fun, in all its shades and guises, is the operative word for Stash 33.
For instance: we open the main program with complete bunny-mad chaos from Pleix and MacGuff for Groove Armada, and then trample on through Psyop’s hip-rebel-comedy for Fanta, HSI’s deadpan take on Reyka Vodka, manic pirate/bovine/bicyclist stop motion for Cravendale from Nexus, crazed MTV Asia work from JL Design in Taiwan, Wilfrid Brimo going berserk for V Energy drink, Han Huggebrooge’s unhinged vignettes for Dutch TV, Make’s extremely flammable chipmunks, very curious characters from Curious Pictures for Crunch and we cap it all with a surreal and utterly original bit of action-lunacy about courage, show business and inter-media love created at Supinfocom by Corentin Laplatte, Samuel Deroubaix and Jerome Dernoncourt,,, you get the idea – check below for the full list of contributors.
Labels: 2D, 3D, Bizarre, Demo Reel, Experimental, Film Short, Stop Motion
Posted by Michele Yamazaki
Labels: Music Video, Stop Motion
Posted by Michele Yamazaki
Labels: Music Video, Stop Motion
Posted by Michele Yamazaki
Posted by Michele Yamazaki
Labels: Music Video, Stop Motion, Student Work
Posted by Michele Yamazaki
A very cool stop motion piece by the band Uncut and director by Kris Lefcoe. They have a very creative description for the video.
Pitchfork:
On the Kris Lefcoe-directed clip, the barely concealed likes of Ronald McDonald, Tony the Tiger, and the Care Bears appear to have taken Worang's advice. Some cute anarchists try to party in a forest that's about to become an Enormart, but meanwhile your corporate-sponsored childhood memories are taking firing practice, running obstacle courses, and of course hacking up the damn hippies with chainsaws. 'Cause you fucking know, Ronald don't play that.
Labels: Music Video, Stop Motion
Posted by Michele Yamazaki
Posted by Michele Yamazaki
Labels: Music Video, Stop Motion
Posted by Michele Yamazaki
Labels: Music Video, Stop Motion
Posted by Michele Yamazaki
Labels: Music Video, Stop Motion
Posted by Michele Yamazaki
Precious Time is from British band, the Maccabees. I can't say I like the song, but the video, directed by Sam Brady, is fun. Labels: Music Video, Stop Motion
Posted by Michele Yamazaki
One Man Wrecking Machine has cute stuffed animal characters.The cotton cloud effects are pretty neat.Labels: Music Video, Stop Motion
Posted by Michele Yamazaki
Floris: Metalosis Maligna, which came out last year, is a scary documentary slash short film about medical implants gone crazy. There's lots of cool 3D and some stellar compositing and tracking work. The man with the metalosis maligna, with his body being replaced by "metal tissue" and the stop motion portions are really impressive. Wow. I'm blown away. Labels: 3D, Documentary, Experimental, Film Short, Stop Motion
Posted by Michele Yamazaki
You've probably caught Sneaux Human Skateboard on the tube. Such incredible stop motion. That had to hurt.Labels: Commercial, Stop Motion
Posted by Michele Yamazaki
Labels: Music Video, Stop Motion
Posted by Michele Yamazaki
Labels: 2D, 3D, Bizarre, Commercial, Demo Reel, Documentary, Experimental, Film Short, Interview, Movie Trailer, Music Video, Podcast, Stop Motion, Student Work, Television, Titles
Posted by Michele Yamazaki
Thése Sur la Typographie. Another nice typography project, this one is by Julien Vallée, an artist from Montréal, Québec. I love how it the audio and video mesh so perfectly. I can't imagine how long it took to put together all of this stop motion footage.Labels: Stop Motion
Posted by Michele Yamazaki
Labels: Stop Motion
Posted by Michele Yamazaki
This piece comes from Dean Denell at the College for Creative Studies in Detroit. I envy students. At hand is a daily task to create for the sake of creating without borders, rules or clients. Especially here, where you'll see a mix of traditional animation, stop motion, clay, and motion graphics. Easily caught up in my "branding" and "image" projects, sometimes I lose focus on the 'fun' part. That's what I see here. I think Dean had fun with this.Labels: 2D, Stop Motion, Student Work
Posted by Harry
Labels: 3D, Music Video, Stop Motion
Posted by Michele Yamazaki
Labels: 2D, Music Video, Stop Motion
Posted by Michele Yamazaki
Posted by Michele Yamazaki
Word on the street is that HunterGatherer infused photographed paper and wood textures with After Effects to create this fun, stop-motion style commercials for AMP Energy Drink. The look is organic, with the textures and cutout style of characters, reminicent of early South Park, but much slicker and loaded with clever details. I love the cool color palette and the use of cameras and depth of field. Amazing work, indeed. Labels: 2D, Commercial, Stop Motion
Posted by Michele Yamazaki
Labels: Stop Motion
Posted by Michele Yamazaki
Labels: Stop Motion
Posted by Michele Yamazaki
Labels: Stop Motion
Posted by Michele Yamazaki